One of the most accessible songs from the “Berlin trilogy” of albums that he made with producer (and former Roxy Music member) Brian Eno. Talk about setting the scene: the opening track from ‘The Rise and Fall of Ziggy Stardust and the Spiders From Mars’ kicks things off by notifying earth that it only has five years left before being destroyed by some kind of disaster. Now, it’s iconic. One of Bowie’s most straight-ahead blues rockers features a character inspired by Stooges frontman Iggy Pop, a huge influence on Bowie (and a future collaborator). After a decade spent courting the mainstream, Bowie clearly intended Outside to be seen as a grand artistic statement. But “And these children that you spit on/As they try to change their worlds/Are immune to your consultations/They're quite aware of what they're goin' through” applied to every new generation, as did “Look out, you rock and rollers.”. Sometimes, I would listen to “The Man Who Sold the World” on repeat because…well, it’s amazing. Before Blackstar was revealed as the most exquisitely staged final act in rock history, it sounded thrillingly like a new beginning. There is a particular strain of Bowie song from 1973/74 that sounds like the work of someone who has had all the sex and drugs in the world at once. Here's a chronological look at Bowie's best songs of the '80s, an era that witnessed his smooth transition into the MTV video age. Glam doo-wop decorated with bursts of fizzing synthesiser, Drive-In Saturday is one of Bowie’s greatest singles, despite its peculiar lyrical premise. Completely original, nothing about its sound tethers it to the mid-70s. “And try to get it on like once before/When people starred in Jagger's eyes and scored/Like the video films we saw!”. a BBC Two adaptation of Hanif Kureishi’s The Buddha of Suburbia, suddenly pulled into focus with the news of Bowie’s death. Uniformly strong, the songwriting on Heathen stretched from the prosaic – the letter-to-adult-son of Everyone Says Hi – to the baffling. Bowie was never a nostalgic guy, leaving musical and visual styles (and band members) in the dust as he progressed throughout his career. While Bowie performed the song at his concerts over the years, the song fits Mott’s frontman Ian Hunter better than it did Bowie. Despite Bowie’s insistence it was an attack on artistic rivals who didn’t work hard enough, there’s something oddly sexy about it, not least his delivery of the line: “Someone like you should not be allowed to start any fires.”. [To sort the list - you need to change the Display from "List" to "Table"] Always Crashing in the Same Car is a sublime sliver of moody paranoia, with distracted-sounding vocals, electronics that alternately bubble and drone, wiry, effects-laden guitar. Studio portrait of British rock singer David Bowie wearing a black satin suit and holding a red guitar, 1980s. A permanent fixture in some people’s top ten lists, the song is an archetypal piece from the Thin White Duke as he uses abstract lyrical constructs shaped by incessantly groove-filled instrumentals to bamboozle and entrance. image caption David Bowie left his mark with songs like Space Oddity, Let's Dance and Under Pressure. And as always, it was difficult to cut the list off at 40, so some of our favorites just missed the cut. Boasting a preposterously stage-y mockney vocal – “she ’ad an ’orror of rooms” – Scary Monsters’ title track apparently dated back to the early 70s. His final exultant whoop suggests he knew exactly how great it was. Producer Nile Rodgers thought that Bowie wanted to make an album like his 1980 record ‘Scary Monsters (And Super Creeps)” and was surprised that Bowie wanted something a bit more commercial. There was an apocalyptic strain in Bowie’s songwriting almost from the start – see We Are Hungry Men from his 1967 debut – but it was never more beautifully expressed than on Oh! Picking his best is even worse, but Sound and Vision is both a fantastic pop song and an act of artistic daring. I wanted to make sure he stayed cool and stayed connected. The 69-year-old icon had just released his 25th album Blackstar and a music video for the song 'Lazarus', which shows him wrapped in bandages on a hospital bed. But whatever Bowie’s punctuation motivation, fans all over the world take the song seriously. The ‘Station To Station’ album marked one of Bowie’s stylistic turns: coming off of the soul/R&B sounds of ‘Young Americans,’ here he was more influenced by electronic music like German acts Kraftwerk and Can. A three-minute hit single that doesn’t even feature a lead vocal until halfway through, it twists a despondent lyric into something uplifting and, musically, transcends time. A hard rock jam featuring Bowie on the harmonica about an aging star having sex with a prostitute. There’s a sense in which the final track on Reality, the last album he made before his decade-long “retirement”, would have worked perfectly as Bowie’s farewell: a beautiful, weary, uncertain and elegiac rumination on the 70s, set to Mike Garson’s distinctive piano, which shifts from hypnotic to spiky and surprising. If its title track signalled his temporary abandonment of the avant garde, it’s still a superb song, nervier and stranger than its global smash status might suggest. Mick Ronson had left Bowie by this time; Bowie played the riff himself. Greeted with disappointment on release, Lodger’s reputation has grown with the years. It’s a song that was subsequently rendered as everything from pop-soul (by Lulu) to despairing acoustic commentary on global success and punk rock ethics (Nirvana), but Bowie’s original version has never been bettered. David Bowie first became famous following / followed his 1969 hit "Space Oddity". What more could you ask for, at this bizarre, unnerving and outlandish time, than a roundup of the greatest hits of one of the most bizarre, unnerving and outlandish musicians of all time, Last modified on Thu 19 Mar 2020 17.45 EDT, A rejected single finally released on a 1970 cash-in compilation, Bowie’s first collaboration with the producer Tony Visconti is better than anything on his debut album. A white British rock star adopting the breezy, sumptuous sound of Philly soul shouldn’t have worked at all, but it did, to life-affirming effect. Ziggy Stardust’s most emotionally affecting moment is one of its most straightforward songs. All the Young Dudes announced the arrival of a new era in pop via a Lou Reed-ish cast of characters – cross-dressers, speed freaks talking about suicide – and a timely, remarkably cocky dismissal of the past: “My brother’s back at home with his Beatles and his Stones … what a drag.”. As such, it’s been hailed as a gay anthem, but the National Review named it one of the greatest conservative rock songs of all time. A stark, brass- and woodwind-assisted depiction of those – like Bowie himself – left with their noses pressed against the glass of the Swinging London party, it feels like a monochrome kitchen-sink drama compressed into three minutes. The music, meanwhile, sashays insouciantly along – in another inspired theft, the guitar part is swiped from Alvin Cash’s 1968 funk hit Keep on Dancing. But perhaps that is tribute to Bowie’s brand of alchemy: only he could turn six minutes of pulsing electronic noise, howling guitars and screamed vocals into an all-purpose air-punching anthem. David Bowie's 50 greatest songs – ranked! In the early ‘70s, Bowie was obsessed with the Rolling Stones. This is one of my favorite songs of David Bowie. And even if you don’t agree that it’s his finest moment, it’s surely one of Bowie’s greatest songs. There are two versions of the song: a shorter one which opens the movie, with the music coming the film’s composer Trevor Jones. Featuring one of the greatest performances by piano player Rick Wakeman (later of Yes), according to the BBC, “In 1968, Bowie had written English lyrics for a French song called ‘Comme, D’Habitude,’ calling his version ‘Even A Fool Learns To Love.’ It was never released, but soon afterwards Paul Anka heard the original version, bought the rights and rewrote it as ‘My Way.’ Bowie recorded ‘Life On Mars?’ as a Sinatra parody in anger at having missed out on a fortune, although the ‘Hunky Dory’ liner notes state that the song was merely ‘inspired by Frankie.’” It’s tough to imagine Ol’ Blue Eyes singing “Mickey Mouse has grown up a cow,” though. Starring Major Tom, a character who he revisited in 1980’s “Ashes To Ashes,” 1995’s “Hallo Spaceboy” and possibly in Bowie’s final bow, the 2015 video for “Blackstar.” Inspired by the film 2001: A Space Oddity, the song was as much about isolation and madness as it was about science fiction. In “about 2033”, nuclear war has caused humanity to forget how to have sex and they have to relearn seduction techniques from old films. A doo-wop song about a future where people somehow forgot how to have sex, so they listen to the Rolling Stones and watch old porn videos to figure it out. The solitary moment that sparked on 1984’s inspiration-free Tonight. The lead single from his comeback album, “Let’s Dance” topped the pop charts, but also had some great guitar playing, courtesy of a young up-and-coming guy named Stevie Ray Vaughan. Bowie’s last straight-ahead glam-rock hit before moving into a soul direction on the subsequent tour (captured on 1974’s ‘David Live’) and album, 1975’s ‘Young Americans,’ it features one of the best riffs on a Bowie jam. This remix brought Bowie to a much younger audience (as did the tour, which saw Bowie and NIN co-headlining). Glam rock’s unofficial national anthem. Keep checking back all … The album Lodger opened with that rarest of things in the Bowie canon, a protest song. You Pretty Things, a song that sets an incredibly bleak message to a melody so lovely it could be covered by the lead singer of Herman’s Hermits. Presumably a depiction of its author in his drugged-out mid-70s nadir, everything about it – lingering oddness of its sound, its constantly shifting melody and emotional tenor, its alternately self-mythologising and self-doubting lyrics – is perfect. Originally lasting more than eleven minutes, Bowie cut it down to 9:58 when he learned that the iTunes store wouldn’t sell singles if they were more than ten minutes. Between 1969 and 1983, the man churned out brilliant music at a furious pace. A cover of a song by a guy named Ron Davies (Three Dog Night covered it, too), it feels a bit out of place on ‘Ziggy,’ but what a rocking jam. For an artist who created several masterpieces, perhaps his finest one was the 1969 track "Space Oddity" – the No. David Bowie: lead vocals, acoustic guitar, saxophone, string/flute arrangements Mick Ronson: electric guitar, piano Trevor Bolder: bass guitar, trumpet Mick "Woody" Woodmansey: drums. Halloween Jack, the persona Bowie adopted on Diamond Dogs, never enjoyed the same cultural impact as Ziggy Stardust or the Thin White Duke. A sleazy, bitter blast of distorted guitar that sounds like it is seconds away from collapse, it’s both intense and electrifying. Its most striking moment may be its extraordinary, enigmatic acoustic finale – possibly a depiction of Bowie’s relationship with his half-brother Terry – that goes from becalmed to chilling to genuinely frightening. In the BBC documentary Cracked Actor, David Bowie demonstrated how he used the random cut-up technique of Brion Gysin and William Burroughs as a starting point for many of his lyrics. One of a handful of Bowie songs that didn’t make a huge chart impact, but took on greater weight in the years after its release. Not everything on Bowie’s self-consciously heavy album The Man Who Sold the World works, but its opening track is remarkable. Bowie’s cover of the Velvet Underground’s classic. Either way, its leaps from eerie atmospherics to blasting, wall-of-noise chorus are really exhilarating: an overlooked triumph. One of Bowie’s best hard-rock jams, it should have been a radio hit on par with “Suffragette City” and “Ziggy Stardust.” But even if it didn’t get on the airwaves in the ‘70s, it did make it to the ‘Guardians of the Galaxy’ soundtrack (when our heroes are approaching the “Knowhere” mining colony). “I felt like I was protecting his 'thing.' A series of streamed music events, shows and new releases are marking David Bowie… Bowie’s fabulous, valedictory farewell to glam, Rebel Rebel is essentially a loving salute to the kids Bowie had inspired, a metaphorical arm around the shoulder of every teenage misfit who had ever posed in a bedroom mirror. Inspired by ‘A Clockwork Orange’ (the term “droogie” and the line “wham, bam, thank you, ma’am” both came from ‘Clockwork’), it combined the hard rock sounds that were dominating the ‘70s with throwback Little Richard-esque piano and futuristic sounding ARP keyboards. It says a lot about the sheer power of its melody that a song so lyrically impenetrable has become so widely loved. A 2018 remix helps matters a little, and the stripped-back 00s live versions available online are better yet. Jittery but commercial funk is undercut by a dark lyric that returned to the subject of Bowie’s mentally ill half-brother Terry, this time brooding on his 1985 suicide. "I'm gay," declared David Bowie, "and always have been, even when I was David Jones." It turned out to be Bowie’s biggest album ever. It’s uneven, but contains some incredible songs, not least Boys Keep Swinging, which condensed the kind of sonic overload found on “Heroes” into a sparky three-minute pop song, complete with lyrics that archly, camply celebrated machismo. For years, Bowie had been singing the praises of the Pixies, and on ‘Heathen,’ he finally sang one of their songs. Famous David Bowie Locations You Can Visit ... a recurring series that brings to life the places you know from songs, album covers, and music history. Why can't we give love that one more chance?” is as resonant today as it ever was. Ashes to Ashes is one of those moments in Bowie’s catalogue where the correct response is to stand back and boggle in awe. After two albums with edgy rock band Tin Machine, Bowie made the R&B/jazz album ‘Black Tie White Noise’ in 1993, which reunited him with ‘Let’s Dance’ producer Nile Rodgers. On one of his first singles, he was letting us know that he wouldn’t stay in a groove for long and indeed, over the years, he would change his visual and musical style every few albums, challenging us up until the very end. The song’s eerie vibe was enhanced by the mellotron, played by future Yes keyboardist Rick Wakeman. But not every new thing [should be chased].” Holly Palmer ended up doing the backing vocals on the song. Like “ “Heroes,”” it’s assisted by the amazing guitar of King Crimson’s Robert Fripp, and like many of Bowie’s songs, it’s about madness: “When I looked in her eyes they were blue but nobody home ... Now she's stupid in the street and she can't socialize.”. It’s a series of compelling musical steals – equal parts T Rex, Somewhere Over the Rainbow and Blue Mink’s recent hit Melting Pot (the morse code guitar) – and a brash announcement of Bowie’s commercial rebirth. A relentless, intense drum loop decorated with squalls of sax, Tis Pity She Was a Whore was unlike anything Bowie had done before. View David Bowie song lyrics by popularity along with songs featured in, albums, videos and song meanings. As crazy as that might seem, they got a better song (or at least one that suited them better) when Bowie came back with “All The Young Dudes,” which was, by far, their biggest hit. It’s been said that the Velvets didn’t sell many records, but everyone who did buy one started a band, and Bowie is certainly one of the most famous Velvet disciples. Tellingly, Bowie’s first great song centred on outsiders. The title track of his eeriest album remains mysterious, creepy and haunting 50 years on. It’s surely one of the greatest collaborations/duets in rock history, and the lyrics “Can't we give ourselves one more chance? Like many Bowie songs, this proved to be a popular standard. Appearing on Bowie’s seminal 1977 album Low, ‘Sound and Vision’ remains one of Bowie’s most notable songs. Bowie had attempted to donate it to Iggy Pop, before reconsidering. Cracked Actor may be the supreme example. David Bowie left his mark with songs like Space Oddity, Let's Dance and Under Pressure. Greatest Hits David Bowie 2017 David Bowie Best Songs. “Under The God” was the first song that most people heard from the album and it moved him out of the adult contemporary lane and into a lane with heavier -- and younger -- acts like Soundgarden, Living Colour and Faith No More. He announced that his solo career was over and his new band, Tin Machine, was his future. Co-written with producer Brian Eno and powered by King Crimson guitarist Robert Fripp’s distinctive guitar line, the song is something of a rorschach: the lyrics are vague enough to mean whatever you want them to. The musician would have turned 74 on Friday, while Sunday is five years since he died of cancer. Aladdin Sane’s Ziggy-goes-to-America concept in miniature, The Jean Genie is tougher and sleazier than anything on Ziggy Stardust – its I’m A Man-ish guitar riff and bursts of harmonica sound absolutely filthy. A series of streamed music events, shows and new releases are marking David Bowie's birthday and the fifth anniversary of his death. Starman’s epochal Top of the Pops performance is probably the most celebrated piece of music television in British history. His catalog, though, remains as relevant and influential as ever, so choosing his greatest songs was difficult. By his own account so out of control he couldn’t even remember recording it, Bowie somehow contrived to make Station to Station a work of awesome power and focus, as evidenced by the lengthy title track. The demo version – much talked up by Bowie in later years – remains unheard. David Bowie, David Cassidy and Cat Stevens have all been cited by the press as speculative candidates. You can also sort the list of songs by year recorded (from oldest to newest, and from most recent to first recorded), by Song Rank (popularity rank of song versus all other songs) and by album name. It occasionally feels a bit laboured, but its highlights rank high: a Space Oddity-referencing Pet Shop Boys remix was a hit, but the original of Hallo Spaceboy is pummelling, chaotic and hypnotic. 1 item on our list of the Top 10 David Bowie Songs. Guitarist Mick Ronson really shines here. Bowie was the quintessential rock star, but on this song he -- and his character, Ziggy Stardust -- shares the spotlight with Mick Ronson’s iconic guitar riff. “Nothing to do, nothing to say/Blue, blue/I will sit right down/Waiting for the gift of sound and vision.”. As part of a celebration of what would have been his 74th birthday, two previously-unreleased David Bowie covers of songs by John Lennon and … Here Below Top 29 David Bowie Love Songs Voted by Fans. Of the Blackstar songs whose meaning suddenly pulled into focus with the news of Bowie’s death, none is more affecting than I Can’t Give Everything Away. David Bowie was one of the most talented and celebrated artists of all time. So it was a bit of a surprise when he revisited “Major Tom” from his first big hit, “Space Oddity” on “Ashes To Ashes,” noting that his story didn’t end well. That was no fault of the album’s title track, a propulsive, compelling strut that is simultaneously sensual and dark, as evidenced by its troubling opening cry: “This ain’t rock n’ roll, this is … genocide!”. “You tacky thing,” he sings, delightedly, “you put them on” – set to one of the all-time great rock riffs. But for the follow-up, he got weirder and more electronic when he reunited with “Berlin trilogy” collaborator Brian Eno. We opened the parameters a bit, including songs that he wrote for other artists (Iggy Pop and Mott the Hoople); Tin Machine was fair game, as were remixes of his songs and so were collaborations. It was haunting when we first heard it, and it’s even more chilling now. There’s a compelling argument that the incredible flowering of songwriting talent on Hunky Dory may make it Bowie’s greatest album. Proof that Bowie worked in mysterious ways: it took a BBC Two adaptation of Hanif Kureishi’s The Buddha of Suburbia to return him to full creative power. As the world remembers David Bowie on what would have been his 71st birthday, we try to find solace in the hidden (and not so hidden) meanings of his lyrics. It is ridiculously exciting. As usual with Station to Station, the chaos of its creation (“a cocaine frenzy,” according to guitarist Carlos Alomar) isn’t reflected in the finished product: it’s perfectly poised and confident. What it would have sounded like had Bowie’s original plan to give the song to Elvis Presley is anyone’s guess.    In August 2003 Simon agreed to reveal the name of the song's subject to the highest bidder of the Martha's Vineyard Possible Dreams charity auction. Bowie’s legendary performance of this on the U.K. show ‘Top of the Pops’ apparently made a huge impact on future rock and pop stars including Bono, Robert Smith of the Cure and Boy George. Its posthumous uplifting-sporting-montage-soundtrack ubiquity means it’s easy to forget what a weird, ambiguous song Heroes is – it has, metaphorically, lost the quotation marks around its title. The theme to Julien Temple’s universally derided film of the same name, Absolute Beginners may well be the high point of Bowie’s 80s commercial phase. Young Americans represents the point in Bowie’s career where it became apparent he could take virtually any musical genre and bend it to his will. Today, I collected some of the best David Bowie quotes because I grew up listening to his music and LOVE the movie, Labyrinth. 6. Bowie co-wrote this song, sang very distinctive backing vocals and played guitar and keyboards. Selecting David Bowie's single greatest song is no easy task. Never the most confessional of writers, Bowie’s songs are thus often difficult to decode, his creative ideas tangled in metaphor and allusion. While I was reading these David Bowie quotes, I forgot how often I would jam out to his music. In this case, it was Nirvana’s cover from their episode of “MTV Unplugged” that finally put the song in front of millions; at the time, it could have been referred to as obscure. Picking Bowie’s 50 best songs is a thankless task. The final song on the final show of the 1973 “Ziggy Stardust” tour, Bowie prefaced the song by saying “Not only is it the last show on the tour, but it’s the last show we’ll ever do.” The crowd screamed “Noooo!” It wouldn’t be the last time Bowie “retired,” though. In 1972, Bowie … Hailed as a return to peak form on release, Black Tie White Noise was nothing of the sort, but its first single was authentically fantastic. The man who made ‘The Rise and Fall of Ziggy Stardust and the Spiders From Mars’ just a few years earlier was clearly a guy who was pursuing stardom, even if it was under the Ziggy alias. It was never a hit, and yet it’s regarded as an anthem and that’s fitting: Bowie never seemed to care to pander to the pop charts of the moment, even as he always seemed to strive for iconic status. As it happened, Nine Inch Nails were a big influence on Bowie at the time, and NIN’s leader Trent Reznor was a huge Bowie disciple. Once you get past the opening lines about the transgressive self-mutilating performance artist Chris Burden – “Tell you who you are if you nail me to my car” – the lyrics make virtually no sense at all. A moment of straightforward joy amid the complex, troubled emotional terrain of Station to Station, Golden Years perfectly matches its lyrical optimism with glittering, shimmering funk. It was the clear highlight from the album. 29- David Bowie – The Wedding Song. Like much of the ‘Aladdin Sane’ album, there’s a huge Stones influence. Cassidy and Cat Stevens have all been cited by the ongoing cold war its... 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